three more concerts
Mar. 25th, 2025 02:27 pm![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png){kind=small}
calimacI had another busy weekend.
Friday: Gut, Wind, and Wire; Piedmont
Three folks from Baltimore who play on early instruments featuring the eponymous sound-makers. The wind was mostly wooden flutes but included a small and recalcitrant bagpipe. They played mostly Renaissance music: Scottish dances, Terpsichore dances, pieces (in their original form) later edited by Respighi for his Ancient Airs and Dances, pieces referred to in Shakespeare plays, and lots and lots of Playford dances.
Performed at the Piedmont Center for the Arts, an old converted house with its main hall turned into a tiny concert hall holding some 30 people.
Saturday: California Symphony; Walnut Creek
SFCV had me reviewing this one, so reviewed it got. I mentioned conductor Cabrera's opinion, expressed in remarks prior to the piece, that it's a mistake to try to power through the triumphant ending of the third movement of Tchaikovsky's "Pathétique" and preempt the inevitable audience applause by diving straight into the finale. But I didn't mention that that's exactly what Elim Chan did with SFS a week earlier. By Joshua Kosman's account, she succeeded in stopping the applause, a feat Cabrera dismissed as unachievable. But I wasn't there so I don't know.
In regard to the piece being premiered, my editors deleted a sentence which would have made clear that a comparison to Luciano Berio is not a compliment in my book. But I guess you're not supposed to be too critical.
Sunday: Santa Cruz Chamber Players, Aptos
Music for piano trio, quartet, and quintet (that's one piano with varying numbers of strings). Included two new pieces, both soft and padding, one titled "A Wish for Ukraine." Also Frank Bridge's Phantasy, very cooly and effectively played, and Dvorak's evergreen Op. 81 quintet.
Fifty minutes turned out to be not quite enough time to drive here from Hollister where I'd gone first.
Friday: Gut, Wind, and Wire; Piedmont
Three folks from Baltimore who play on early instruments featuring the eponymous sound-makers. The wind was mostly wooden flutes but included a small and recalcitrant bagpipe. They played mostly Renaissance music: Scottish dances, Terpsichore dances, pieces (in their original form) later edited by Respighi for his Ancient Airs and Dances, pieces referred to in Shakespeare plays, and lots and lots of Playford dances.
Performed at the Piedmont Center for the Arts, an old converted house with its main hall turned into a tiny concert hall holding some 30 people.
Saturday: California Symphony; Walnut Creek
SFCV had me reviewing this one, so reviewed it got. I mentioned conductor Cabrera's opinion, expressed in remarks prior to the piece, that it's a mistake to try to power through the triumphant ending of the third movement of Tchaikovsky's "Pathétique" and preempt the inevitable audience applause by diving straight into the finale. But I didn't mention that that's exactly what Elim Chan did with SFS a week earlier. By Joshua Kosman's account, she succeeded in stopping the applause, a feat Cabrera dismissed as unachievable. But I wasn't there so I don't know.
In regard to the piece being premiered, my editors deleted a sentence which would have made clear that a comparison to Luciano Berio is not a compliment in my book. But I guess you're not supposed to be too critical.
Sunday: Santa Cruz Chamber Players, Aptos
Music for piano trio, quartet, and quintet (that's one piano with varying numbers of strings). Included two new pieces, both soft and padding, one titled "A Wish for Ukraine." Also Frank Bridge's Phantasy, very cooly and effectively played, and Dvorak's evergreen Op. 81 quintet.
Fifty minutes turned out to be not quite enough time to drive here from Hollister where I'd gone first.
