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Prior to writing my recent article on Symphony Silicon Valley, I had hoped to do a little research on the history of the old San Jose Symphony, as I was discussing that as well. I realized that I had no knowledge of this orchestra prior to George Cleve's appointment as music director in 1972. Yet it claimed to date back to 1879.

Today I was finally able to meet with some boxes of the orchestra's archives, now at the San Jose History Museum. Where I found that the 1879 date is stretching it. A group calling itself the San Jose Symphony, but having only about 15 players, did perform in that year, but its continued existence was more than spotty. Its continuous history only goes back as far as the founding of a Symphony Association in 1937, and for years afterwards the orchestra was an unpaid scratch group that played only one or two concerts a year, much like some of the obscurer orchestras around today.

I did get to see some of the old programs, including ones from concerts I remember in the 70s and 80s, and yes, Aaron Copland and John Cage, as well as Alan Hovhaness, Virgil Thomson, and Cesar Chavez, came for the bicentennial season in 1975-6, which is what really put the orchestra on the map.

The History Museum, out on Senter Road, is an interesting place. Tucked in the back of a park, it's a re-created downtown neighborhood of olden days, with replica or possibly original buildings moved there, and a couple streets with old streetlights, and everything. But too many vacant lots, and a lack of street life, make it look a bit unreal, like the western town in that terrible Star Trek episode. The central building is an old hotel, and the museum archives are in the non-public area on the second floor.

Things may be livelier there on Saturday, when according to a flyer I picked up they're holding a Dia de Portugal Festival. Portuguese food, it says: that means linguisa. I may go to this. [livejournal.com profile] cynthia1960, how about you?

Date: 2006-06-08 04:20 am (UTC)
From: (Anonymous)
Heh ... Carlos Chavez. Oh yes. We played the Three Cornered Hat selections which includes the big English horn cadenza. He conducted the entire solo, which is NOT how it is normally done. I was young and naive and hadn't a clue that wasn't the way it was supposed to go. People came up to me after and patted me on the back, giving me sympathetic looks. That's when I found out how it was normally conducted. George came up to me and said something like "Don't worry about it." Funny, remembering that!

And I was at that same SJSU concert too! I remember, too, Dr. Vernon Reed's mouth dropping open when he heard Lori sing ... similar to your reaction! He was stunned and he turned to a few of us and said something about "Where did THAT come from?!" I guess he didn't know she could sing at all. What a wonderful musician, yes? She used to sing and play viola during Nutcracker when the snowflake tune came in. She came back to sing with San Jose Symphony (RIP) when we did Messiah one year (with G. Cleve). Again, a stunning performance. (Did you sing in that?)

She played viola in the Midsummer Mozart orchestra the first few years of its life, and I played a few with her. Ultra-talented woman, that's for sure.

-patty

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