Thirteenth Child
Mar. 11th, 2012 08:22 pm![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
Our Mythopoeic group had a well-attended and meaty discussion today, but before anybody asks, my reactions here are too partial and personal to make a good formal discussion report. The topic was Thirteenth Child by Patricia C. Wrede. In its setting and premise - a 19th-century US midwestern frontier in an alternate history in which magic is palpable and definable, and is based on the American folk tradition, and in which talented children are sought out and trained in that magic - it immediately brings to my mind Seventh Son by Orson Scott Card (please let's not mention the sequels).
Chris was otherwise reminded and got the best line of the meeting by calling it Little Hogwarts on the Prairie.
It seemed to me, though I didn't have time to read the whole book, that Thirteenth Child is a better-written book, with more interesting and attractive characters, than Seventh Son. But I had a harder time getting hold of it: for instance I found it tricky to get a handle on how old Eff, the child protagonist (short for Francine, we learn eventually, and now I'm being distracted by memories of Mr. F from The 21 Balloons), is at any given moment, and even more by exactly what's going on in the alternate history. Real and fictional events are thrown together in an off-balancing way.
One thing that became clear when Eff's family get to the frontier and all the talk is about the impassable magic barrier to the west, and the danger of magic animals marauding out of the wilderness, is that these things stand in the place of what, this being the 19th century, I might as well call the Indians, who are absent. Utterly. Here's her map of her alternate North America. Notice the complete absence of any names of Indian origin - Canada, Lakes Huron and Michigan, Chicago, Mississippi and Missouri Rivers, Gulf of Mexico - and the substitution mostly of English names.
What I'd forgotten was that there was some controversy over this when the book was published. Readers of Native ancestry found it creepily genocidal to be disappeared like this, especially given the sorry experiences of real history; and others agreed with them. Sentiment at the meeting, mostly favorable to the book on other grounds, tended to give Wrede a pass for this. From an internal viewpoint, it's an alternate history, "Europe" is spelled differently (though other things like Thomas Jefferson seem to remain intact), who's to say that in this world there was no Bering land bridge? From an exterior viewpoint, Wrede is trying to tell a particular story, and the presence of the Indians would just complicate things too much.
The more these excuses were offered, the less satisfactory they sounded to me. Card managed to get the Indians in without losing focus. Wrede is not so clumsy an author that she couldn't do likewise. And while Indians might be extraneous for Wrede's choice of story, she wasn't forced to write a story with an American frontier setting. She chose it, and certain assumed obligations come with that choice. If she wanted to change that much, she could have created an invented world without borrowing so much existing geography and existing history. I don't think you can get away with requiring readerly handwaving speculation about the Bering land bridge as an explanation, not without specifying what hands you want them to wave and why.
When Ursula K. Le Guin set Always Coming Home in an underpopulated future post-holocaust California, she devoted a section of the book to step out and break the fictional construct, to point out that most of the people the land has today are gone, to ask the question, "Was it I who killed the babies?", and to state what she has tried to provide in compensation. If, like Le Guin, Wrede is going to use a real-life template, I think she owes her readers a similar consideration, at the very least. Not as a legal matter, but as part of the moral contract between author and reader.
Chris was otherwise reminded and got the best line of the meeting by calling it Little Hogwarts on the Prairie.
It seemed to me, though I didn't have time to read the whole book, that Thirteenth Child is a better-written book, with more interesting and attractive characters, than Seventh Son. But I had a harder time getting hold of it: for instance I found it tricky to get a handle on how old Eff, the child protagonist (short for Francine, we learn eventually, and now I'm being distracted by memories of Mr. F from The 21 Balloons), is at any given moment, and even more by exactly what's going on in the alternate history. Real and fictional events are thrown together in an off-balancing way.
One thing that became clear when Eff's family get to the frontier and all the talk is about the impassable magic barrier to the west, and the danger of magic animals marauding out of the wilderness, is that these things stand in the place of what, this being the 19th century, I might as well call the Indians, who are absent. Utterly. Here's her map of her alternate North America. Notice the complete absence of any names of Indian origin - Canada, Lakes Huron and Michigan, Chicago, Mississippi and Missouri Rivers, Gulf of Mexico - and the substitution mostly of English names.
What I'd forgotten was that there was some controversy over this when the book was published. Readers of Native ancestry found it creepily genocidal to be disappeared like this, especially given the sorry experiences of real history; and others agreed with them. Sentiment at the meeting, mostly favorable to the book on other grounds, tended to give Wrede a pass for this. From an internal viewpoint, it's an alternate history, "Europe" is spelled differently (though other things like Thomas Jefferson seem to remain intact), who's to say that in this world there was no Bering land bridge? From an exterior viewpoint, Wrede is trying to tell a particular story, and the presence of the Indians would just complicate things too much.
The more these excuses were offered, the less satisfactory they sounded to me. Card managed to get the Indians in without losing focus. Wrede is not so clumsy an author that she couldn't do likewise. And while Indians might be extraneous for Wrede's choice of story, she wasn't forced to write a story with an American frontier setting. She chose it, and certain assumed obligations come with that choice. If she wanted to change that much, she could have created an invented world without borrowing so much existing geography and existing history. I don't think you can get away with requiring readerly handwaving speculation about the Bering land bridge as an explanation, not without specifying what hands you want them to wave and why.
When Ursula K. Le Guin set Always Coming Home in an underpopulated future post-holocaust California, she devoted a section of the book to step out and break the fictional construct, to point out that most of the people the land has today are gone, to ask the question, "Was it I who killed the babies?", and to state what she has tried to provide in compensation. If, like Le Guin, Wrede is going to use a real-life template, I think she owes her readers a similar consideration, at the very least. Not as a legal matter, but as part of the moral contract between author and reader.
no subject
Date: 2012-03-12 05:27 am (UTC)no subject
Date: 2012-03-12 06:19 am (UTC)Of course in both A Different Flesh and Thirteenth Child, if there are no Amerinds there'll be no Amerind-language names. Wrede's nomenclature isn't the problem, it's the symptom providing evidence of the problem. It shows that the natives aren't hiding just offstage. One of our members at the meeting suggested that maybe they were living on the other side of the magic barrier that runs down the continent. The problems with that are 1) that, according to those who've read it, the sequel shows that they're not; 2) in our history, the reason that they were only living in the West by the mid-19th century is that the whites had spent the previous 200 years pushing them there. They can't be limited to the West naturally without falling into the same problem of conscious disappearance; otherwise, either they're pushed, as in real history, or they don't exist.
no subject
Date: 2012-03-12 09:09 am (UTC)no subject
Date: 2012-03-12 08:28 am (UTC)no subject
Date: 2012-03-12 01:00 pm (UTC)no subject
Date: 2012-03-12 01:03 pm (UTC)no subject
Date: 2012-03-12 01:20 pm (UTC)If that were my intent, I'd set the story on a fictional continent, a la Islandia, that had no aboriginal human inhabitants, have the characters remark on the unusualness of this (here and Antarctica, baby, that's it), and leave the implication that the magical barrier and megafauna are responsible for driving any previous attempts at settlement off. Given the natural hostility to human settlement shown by the magical forces in the book, that would make sense.
Or, if it's to be in America, have native artifacts indicating that the magic killed them off, or that the barrier was originally continent-wide and that the Europeans have driven it back by means of advanced technology. Or something to explain this. Just not a completely unspoken retroactive boojum.
no subject
Date: 2012-03-12 02:02 pm (UTC)no subject
Date: 2012-03-12 09:28 am (UTC)