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Not since the 50th anniversary of Peanuts - which also started in October - ten years ago has there been as much attention to a comic strip anniversary as Doonesbury's 40th. Peanuts was already the walking undead by the time it turned 40 - its great days were pretty much limited to its first two decades - but Doonesbury remains interesting and has even grown in depth and range. Trudeau in an interview attributes his longevity over great strips with shorter lifespans to his having given himself a more flexible task: instead of focusing on a single relationship like Calvin and Hobbes or having to create entirely fresh ideas every day like The Far Side, he writes a long-running narrative with the ability to introduce new major characters or re-purpose old ones at any time.

I've been reading Doonesbury since its earliest days. I had the advantage of being sufficiently older than Phil Nugent to appreciate the political references from the beginning, and also of having a newspaper that subscribed to it from about the start. At first, the Chronicle didn't put Doonesbury in the daily comics section, nor the editorial page where a lot of papers run it. Instead, it had the custom of running a miscellany of editorial cartoons at the bottom of the pages of a weekly political-commentary roundup section, and in 1970 or '71 the more politically-oriented Doonesbury strips began to appear there. They were immediate standouts. I remember that when the paper changed to carrying the strip daily, they ran a large announcement house ad explaining the story set-up and introducing the characters. One strip they ran there never appeared in any of the early book collections I saw, and nobody else I ever mentioned it to remembered it, until I began to wonder if it was mythical. But it's in the online archives now: the explanation of why B.D. wore his helmet all the time.

(The girl he's talking with is not Boopsie; this is before Boopsie. The very early Doonesburies had a regular cast of male characters but the females were constantly changing and often nameless.)

A little later on, this strip is still sometimes implied to be the first appearance of Joanie Caucus, but it's obviously a follow-up. Again, the strip that immediately preceded it and that actually introduced her, a Sunday strip, was never collected in the books, and I once delved into newspaper microfilm archives to confirm my memory that it existed.

I don't have much to say about Doonesbury as political commentary that hasn't been said often before, except to point out that to call it a left-wing partisan strip is entirely mistaken: from the beginning, Trudeau has been out to puncture the pretensions of the left as well as the right. For instance:

If he's tougher on the Republicans, it's because they've offered a much bigger target. When serious, Doonesbury can be memorably searing, but when Trudeau is trying to be funny, he always succeeds, unlike certain right-wing competitors - and you know who I'm thinking of - who are never funny, even on the rare occasions when they're not talking about politics. Whereas Doonesbury covers much of life - that's what makes its regular characters so memorable - satirizes all kinds of things, and is not just an editorial cartoon.

Date: 2010-10-26 10:26 pm (UTC)
From: [identity profile] jpmassar.livejournal.com
Guilty! Guilty! Guilty!

Date: 2010-10-27 12:04 am (UTC)
From: [identity profile] jpmassar.livejournal.com
Now that I've looked at it, I remember the Joanie Caucus intro strip.

Date: 2010-10-28 08:50 pm (UTC)
From: [identity profile] ken-3k.livejournal.com
I stopped following all daily comic strips in the wake of the Great Detroit Newspaper Strike of 1995, and that included Doonesbury. I had followed Doonesbury since nearly the beginning: my high-school hometown paper The Washington Post was one of the first papers to pick up the strip, and I grabbed all the books when they started to appear, including the collection of the Yale cartoons.

One of these years I should really figure out what books I need to acquire to get caught up again.

Then, somehow, I have to acquire the habit of looking at a comic strip online...

My list of "Era-Defining Comic Strips" runs: Pogo, Peanuts, Doonesbury, Calvin & Hobbes, Dilbert.

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