There's plenty that a sufficiently good musicologist can say about Carmina Burana, as our violist proved even though he disliked the work: rhythmic patterns, styles of vocalization, choral antiphony ... all kinds of stuff.
No falsetto, just a strong high tenor.
The 1847 Schmeller edition? That's the one Orff worked from.
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Date: 2005-11-11 08:50 am (UTC)No falsetto, just a strong high tenor.
The 1847 Schmeller edition? That's the one Orff worked from.