Jan. 26th, 2018

addendum

Jan. 26th, 2018 09:07 am
calimac: (Haydn)
You know what I forgot to mention about the Lou Harrison centenary concert?

Pianist Sarah Cahill's iPad failed on her, twice. This was the one she was trying to read her piano part from, so it was kind of vital. She provided commentary on this: it had just been charged, it was on 99%, and it still died.

Fortunately the violinist also had the piano score, so Cahill borrowed that.

Lesson: Put not your faith in technology. Especially if you're playing the low-tech work of Lou Harrison.
calimac: (Haydn)
Having spun out my collection of favorite English suites, what's next? Now I'm going to embark on a little tour of the five Celtic nationalities of the British/Irish archipelago, one stop for each.

This will mostly be tourist music, as of the five composers only one is a native of the nation represented. But it will also mostly be folk music, as four of the five works are based on folk music.

Our first visit is to Wales. Sir Edward German, though born just over the English border (as was David Lloyd George), was thoroughly of Welsh descent: his name was actually the Welsh forename Garmon, and his real last name was Jones, than which there is nothing more Welsh.

German is best-remembered for his turn-of-the-20th-century operettas, successor after the death of Sir Arthur Sullivan as the leading British composer in this form, until taking up Sullivan's mantle of collaborating with the irascible W.S. Gilbert drove him to swear off the theatre.

In the course of events he also wrote this memorable Welsh Rhapsody on delightfully catchy Welsh folk tunes. It's not a suite, actually, but an integrated composition with symphonic development to its melodies, mixed in with thematic material of German's own. Accordingly I'm giving two timings for each section, one where the section begins and then when the folk song first appears in full.

The folk songs are: Ymadawiad y Brenin (The Departure of the King) (0:01/0:08); Hela'r Ysgyfarnog (Hunting the Hare) (4:48/4:58) mixed with Clychau Aberdyfi (The Bells of Aberdovey) (5:51); Dafydd y Garreg Wen (David of the White Rock) (8:38/9:12); Rhyfelgyrch Gwyr Harlech (Men of Harlech) (13:54/14:50).

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