Nov. 27th, 2017

calimac: (Default)
I went Sunday evening to sit shiva in memory of a redoubtable lady whom I had liked and admired.

This was not the full seven-day megilla with rending of clothing and all. In Reform practice as I know it, it's an evening gathering at someone's home, with food and conversation, and the centerpiece a formal session of prayers and reminiscences, led by a rabbi if there's one handy.

There were many people there, including three generations of descendants, and a variety of folk. There was even a topless girl. Of course she was two years old, but whatever.

The deceased had been living in the memory unit of a rehab facility*, but she seemed pretty compos mentis when I visited her there, and the best anecdote told in the reminiscences, story dating from just a few weeks ago, confirms the same. It's useful to remember that among her vocations was that of teacher, and a rather exacting one:

HOME HEALTH AIDE: You need to lay down, Caroline.
PATIENT: It's lie down.
HOME HEALTH AIDE: I'm sorry, English isn't my first language.
PATIENT: I should hope not!
And I can just hear her saying that.

*The same facility my mother had been at in her final illness.
calimac: (Haydn)
Benjamin Britten called this his Simple Symphony, but it's really a suite in sonata form. He compiled it at the age of 20 out of material he'd written when even younger, and it's one of the liveliest string pieces ever, especially in this performance conducted by the composer.



Part of what makes this piece fun is the movement titles: Boisterous Bourée (0.00), Playful Pizzicato (3.27), Sentimental Sarabande (6.32), and Frolicsome Finale (14.28).

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