Nov. 9th, 2004

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... was attend a string quartet concert at the behest of my editors at San Francisco Classical Voice. It sounded like a good program, so I jumped at the chance. And today is publication.

The problem with writing reviews for a general audience is that I can't put in lines like "The second violinist looked a bit like Ben Yalow, but only when he wasn't playing." On the other hand, professional publication means they provided a photo, so you can judge for yourself, so far as a little photo might help. (Left to right the players are in the order I discuss them in the last paragraph.)

The other thing I didn't write in the review, figuring most readers who cared would know the place already, was a description of the very strange venue it took place in. The Kohl Mansion is ... a mansion, a big house, a short stroll uphill on the same grounds from the labyrinth which B. and I walked in September. Concerts are held in what's closer to an enormous hallway than an actual room, with the players on a raised platform pushed against one wall halfway down. The hall is panelled in hardwood and plaster, and rises two stories high, which gives it a weirdly damp, hollow sound. Up on the second floor there are cutouts from an adjoining corridor. A few people sometimes stand up there, peering down at the concert from on high. I'd like to try being among them some day.

[livejournal.com profile] athenais, you'll note that the reviewer of the Kremerata Baltica concert really disagreed with us (well, at least with me) about the suitability of blowing up these chamber works to string-orchestra levels. She's one of the editors, and I made what I hope was not a mistake in showing her my review posted here.

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