concert review: Ariel Quartet
Apr. 20th, 2025 04:15 am![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png){kind=small}
calimacI crammed a lot of detail into my review of this concert, enough to make me feel disappointed in the roughness and lack of sophistication in the writing. For me, the hardest part of concert reviewing can be finding the right words to describe the strong experience of reacting to the specific performers' styles and abilities.
I wasn't sure if my editors would let pass my rather cheeky comparison of this concert's repertoire with that of the previous Ariel concert I reviewed, but it got through. However, though I provided one, the published article has no link to that earlier review.
The big difference between those two concerts was something off-topic enough for this one that I didn't mention it this time. The previous concert had been held to show off the Violins of Hope, instruments rescued and restored from the Nazi Holocaust. As I mentioned in that review, being played by such excellent performers pushed against the limitations of the Violins of Hope's limited qualities as musical instruments.
After this week's concert, I got a chance to talk about this a little with the group's cellist. She said it was so much easier to play this time on their own instruments, whose natures and capacities they know well. And the extreme aptitude of the performance confirmed that.
Another thing there was no room to mention was the pre-concert masterclass, something I don't always have time to attend. At Kohl, the guest artists usually hold a masterclass with local high-school students. This time the ensemble was a string quintet rather than quartet, playing the scherzo from Schubert's work for that ensemble. The most interesting part of the teaching was the request that the students sing passages from the music, to help them appreciate matters of balance and flow.
I wasn't sure if my editors would let pass my rather cheeky comparison of this concert's repertoire with that of the previous Ariel concert I reviewed, but it got through. However, though I provided one, the published article has no link to that earlier review.
The big difference between those two concerts was something off-topic enough for this one that I didn't mention it this time. The previous concert had been held to show off the Violins of Hope, instruments rescued and restored from the Nazi Holocaust. As I mentioned in that review, being played by such excellent performers pushed against the limitations of the Violins of Hope's limited qualities as musical instruments.
After this week's concert, I got a chance to talk about this a little with the group's cellist. She said it was so much easier to play this time on their own instruments, whose natures and capacities they know well. And the extreme aptitude of the performance confirmed that.
Another thing there was no room to mention was the pre-concert masterclass, something I don't always have time to attend. At Kohl, the guest artists usually hold a masterclass with local high-school students. This time the ensemble was a string quintet rather than quartet, playing the scherzo from Schubert's work for that ensemble. The most interesting part of the teaching was the request that the students sing passages from the music, to help them appreciate matters of balance and flow.
