actors in the past
Jun. 30th, 2022 02:31 pm![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png){kind=small}
calimacWhile burrowing through a drawer of old theater and concert programs in the garage, I found my early programs for the Oregon Shakespeare Festival, and this prompted me to check on something.
In 1975, one of my early visits there, I took the backstage tour, which was led by a couple of young members of the acting company. One of them was Jean Smart. Yes, the now-famous Jean Smart, then 23 and unknown and in her first (and, I think, only) year at Ashland. Not too surprising, actually: a number of promising young actors who've gone on to greater things have spent a stint at Ashland.
What I wanted to check on was, did I also see her on stage? Answer: not really. She was in the ensemble in Romeo and Juliet, which I saw, but her main role was, despite her young age, as the mother in Long Day's Journey into Night. I didn't see that. I saw it when they did it again 40 years later, thinking I ought to expose myself to great drama. I don't know why I keep doing that: excellent acting could not disguise the fact that long was the only word conceivably of praise that could possibly be attached to the script.
However, when I checked the program for the cast, I found that one of Jean Smart's sons was played by another young actor a year and a half older than herself: William Hurt. Ba-ding.
Him I did see, as it turns out: he also played the master-gunner who has 18 lines in Act 1 Scene 4 of Henry VI Part One. (I just looked it up.) Surely I must remember that.
In 1975, one of my early visits there, I took the backstage tour, which was led by a couple of young members of the acting company. One of them was Jean Smart. Yes, the now-famous Jean Smart, then 23 and unknown and in her first (and, I think, only) year at Ashland. Not too surprising, actually: a number of promising young actors who've gone on to greater things have spent a stint at Ashland.
What I wanted to check on was, did I also see her on stage? Answer: not really. She was in the ensemble in Romeo and Juliet, which I saw, but her main role was, despite her young age, as the mother in Long Day's Journey into Night. I didn't see that. I saw it when they did it again 40 years later, thinking I ought to expose myself to great drama. I don't know why I keep doing that: excellent acting could not disguise the fact that long was the only word conceivably of praise that could possibly be attached to the script.
However, when I checked the program for the cast, I found that one of Jean Smart's sons was played by another young actor a year and a half older than herself: William Hurt. Ba-ding.
Him I did see, as it turns out: he also played the master-gunner who has 18 lines in Act 1 Scene 4 of Henry VI Part One. (I just looked it up.) Surely I must remember that.
