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concert review: San Francisco Symphony
May. 24th, 2026 07:41 amThe outstanding feature of guest conductor Cristian Macelaru’s rendition of Dvorak’s New World Symphony was its clarity of form. Every section of every movement stood out as its own entity, and the whole passed on in crystalline goodness. And the solo passages from the individual musicians! Just marvelous.
And we also had Rachmaninoff’s First Piano Concerto. According to the program notes, the original version of this concerto sounded like any other late 19C piano concerto, but the revised version, which we heard, sounds like Rachmaninoff. Well, a bit, but not as epically as the Second or Third, problematic as they in their turns are. Soloist Simon Trpceski thundered away dramatically, but to what end?
Lastly but first on the program,the premiere of a tone poem, Embers, by Tyler Taylor. How about that, another composer with the names of two US Presidents. Taylor is a horn player, so he knows the orchestra from the inside. His music featured a well-blended mixture of grinding strings (secret: they left the practice mutes on but played loudly), ghostly winds, and clonking percussion. It was a hefty chunk of chaotic tonal noise.
And we also had Rachmaninoff’s First Piano Concerto. According to the program notes, the original version of this concerto sounded like any other late 19C piano concerto, but the revised version, which we heard, sounds like Rachmaninoff. Well, a bit, but not as epically as the Second or Third, problematic as they in their turns are. Soloist Simon Trpceski thundered away dramatically, but to what end?
Lastly but first on the program,the premiere of a tone poem, Embers, by Tyler Taylor. How about that, another composer with the names of two US Presidents. Taylor is a horn player, so he knows the orchestra from the inside. His music featured a well-blended mixture of grinding strings (secret: they left the practice mutes on but played loudly), ghostly winds, and clonking percussion. It was a hefty chunk of chaotic tonal noise.
