Apr. 19th, 2017

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Sometimes I've gone to Stanford for senior recitals. Some singer or instrumentalist will sing or play some pieces. This one, however, was a conductor's senior recital. Diego Hernandez led a pickup student orchestra and chorus in the Fauré Requiem and just the orchestra in Milhaud's La création du monde. He was able to cram in enough expressive gestures in a mostly straightforwardly time-beating style to generate attractively lyrical propulsive performances from good musicians, impressively light and airy despite some heavy orchestration in both works, and even more impressively considering that the concert was held in the outstandingly damp and echoing acoustics of the Stanford Memorial Church.

This fortuitously followed a lecture, in a class hall halfway across campus - but it's a large campus - by musicologist Beth E. Levy from UC Davis, based on her book Frontier figures: American music and the mythology of the American West. She discussed works like the "Indianist" music of Arthur Farwell, taking Native melodies and embedding them in European harmonic practice, the "open Midwestern prairie" school of music, focusing on a Carl Sandburg setting by the protean Lukas Foss, and a brief consideration of the "cowboy" music of Roy Harris and Aaron Copland. I liked Levy's ability to ground emotional and cultural impressions by citing specific musical techniques. Interesting, and I'll have to read the book.

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