Feb. 10th, 2017

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Second week of the annual Blomstedt festival, more of the same heavy German classics. I am so there.

Blomstedt was frailer this week, requiring someone to walk arm in arm with to enter and leave the stage. Still, he is 89.

Beethoven's Fourth Piano Concerto. Yefim Bronfman distinguished the piano from the orchestra in the slow movement's dialogue of opposites by playing very slowly rather than gently.

Brahms' Third Symphony. Slightly stiff interpretation, but the sound was rich and gorgeous. I just wallowed in the sheer Brahmsitude of it all.

Earlier in the day, I was at Stanford for a free noontime performance by the Elias Quartet. Their Mendelssohn Op. 13 did not remind me of the Pacifica Quartet: Elias has a much gruffer, heavier style. Only they could make Mendelssohn's fairy-light trio sound like the dance of a large animal. Appropriately, they paired this with Op. 95, the gruffest of Beethoven's quartets and one of several models in his output for Op. 13.

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